We’re back! Spring has arrived and as the vines begin their journey towards the new vintage, it’s time for us to pull some corks, twist some screwcaps and start pouring a selection of the club’s most delicious wines for a raft of lively and interesting guests.
Yes, you guessed it – series two of Wine Times is here! Not only that, we have a new venue, new co-host and of course some fascinating new wines to sip and enjoy!
As we say goodbye and a huge thank you to Miquita for expertly guiding us through our wine journey so far, we say a big hello and welcome to the brilliant comedian and broadcaster Suzi Ruffell, who has taken up the mantle of ‘apprentice in wine’ to guide us through our second series.
Joining Suzi and myself in our new home in London Bridge will be a raft of exciting and interesting guests including broadcaster and restaurant critic Grace Dent, celebrity chef and Masterchef judge Marcus Wareing and the king of political commentary Matt Chorley. And that’s not all, we’ll be joined by a raft of others who will be popping in to enjoy some still, sparkling, white and rosé with us.
Oh, and did I mention we are up for an award? Very exciting! Series 1 caught the attention of the judges at the British Media Awards and Wine Times is up for ‘Podcast of the Year,’ we’ll be crossing our fingers that we’re successful when it is announced in May.
So please do join us for some good company, good wines and lively conversation as we go live on April 26th. And remember, you can listen to us through your usual podcast provider.
Vineyard Partner or not, we urge you to ‘tune in’ and hear what four of our Vineyard Partners have been up to. They give us a fascinating, wide-ranging insight into life as a vigneron in today’s climate. Pour yourself a glass, pull up your armchair and listen in to the latest.
Introducing our participants, we have Jean-Marc Sauboua, winemaker for both Bordeaux’s Château La Clarière and Altos de Rioja, Norrel Robertson, our Flying Scotsman and the mastermind behind the fabulous, old-vine Garnacha Sierra de los Sueños from Calatayud, Paolo and Anna Rita Masi from Tuscany’s Il Corto, and Tony, with news from Windsor Great Park Vineyard.
Topics are wide-ranging – conversations you’d never find in ‘books’, virtual or for real. They talk about the pros and cons of the 2021 vintage and the wines you can expect when they’re released. Each explains the tasks currently underway in the vineyard or the cellar, how they are adapting to climate change and the considerable challenges it brings with it.
We hear about new projects, new vineyards, experimentation with clones, grape varieties and methods … these winemakers are really top of their game and always looking to push new boundaries in the name of exceptional quality, authenticity and uniqueness in their wines. You’ll also get a taste of what dishes they might enjoy with each of their wines.
Wine and chocolate are two of the most wonderfully indulgent and delightful products that we can enjoy. Our in-house wine educator, Grant Hedley, was lucky enough to be joined by William Curley, the immensely talented chef and chocolatier. William Curley became the youngest Chef Pâtissier in the Savoy’s history. He works with only the finest ingredients to create handmade morsels from heaven.
Together, they worked hard on some fantastic wine matches for his fabulous chocolates. Three of our wines and six of his chocolates were to be enjoyed for a tasting evening, and you at home could purchase them yourself and join in virtually over Zoom as they discuss the pairings.
For those who could not join us on the evening, you can catch up and find out more on the delectable matches in the recording from the session below. The featured wines are available to purchase if you wish to sip alongside the video.
Sir Harold Evans, the pioneering former editor of The Sunday Times, is remembered as one of the most important figures in post war Fleet Street history. Among his many considerable journalistic achievements on both sides of the Atlantic, there is another legacy that he leaves behind in our world, that is perhaps not as widely known. In the early seventies, with Tony and Barbara Laithwaite, he was instrumental in creating and setting up The Sunday Times Wine Club.
It was the Summer of 1972, Starman by David Bowie was making its way up the charts, England were busy retaining the Ashes and Billy Jean King had just won her fourth Wimbledon title. In the political world Edward Heath was in 10 Downing Street, across the pond Bob Woodward and Carl Bernstein had just published the first revelations of the Watergate scandal for The Washington Post while in Denmark Queen Margaret II succeeded to the throne, the first female Monarch of that country since 1412. The less said about the vintage in Bordeaux, the better.
Newspapers were going through a golden age. Unrivalled in today’s terms, with no social media or the internet, they were at the heart of the national conversation. The Sunday Times world famous Insight team had already published investigations into the Profumo affair and revealed that Kim Philby was the third man in the Cambridge Spy Ring before Harry Evans became editor in 1967. Harry, as he then was, quickly made his mark, leading the newspaper’s investigation into the thalidomide scandal which led to greater compensation for the payouts to victims.
Under Nicholas Tomalin the Insight team had also published a series of articles on malpractice in the wine business. Believe it or not in those days you were allowed to bottle wine in the U.K. directly from the barrel. By all accounts some unscrupulous wine merchants were importing ‘wine’ from north Africa and labelling it whatever they wanted. Pomerol in Bordeaux and Pommard in Burgundy – sometimes from the same tank! Possibly.
The article prompted a letter from another Durham graduate, Tony Laithwaite who started his career washing bottles in Bordeaux. He wrote to his fellow Durham Univeristy alumni at The Sunday Times, Harry Evans, and said that his young company, under the railway arch in Windsor, had no truck with fake wine as he imported wine direct from the growers in France; as he described: from ‘château bottled clarets, from châteaux that do actually exist – no fantasy at all.”
Harry published the letter in full and with a circulation of nearly 4 million, sales from Arch 36 received a welcome fillip. A few reader offers ensued and a year later the club was born with Allan Hall, writer of the ‘Atticus’ column as the resident writer. Hall wasn’t a wine writer but had flair and had recently inspired the Beaujolais Run with his prize of a bottle of Champagne for the first arrival of nouveau to be delivered to his desk at The Sunday Times. It was won by an enterprising wine lover who had procured the use of a private plane.
But they needed a President. Who better than the great wine writer, soon to be the most successful wine writer in the world – Hugh Johnson, (described by Tony as a dapper laddie in a bow-tie!) When I corresponded with Sir Harry Evans from New York in 2018 he said Hugh was ‘key to the whole enterprise.’
“Harry had made me travel editor in 1967,” recalls Hugh over a coffee in Kensington. “Earlier I had been their wine correspondent so when his Insight team had a story about dubious wine being bottled in Suffolk he asked me to look over it. He then thought it was a good idea to get me involved in the Club, I didn’t needmuch persuading and was made President.”
With Tony hunting through the vineyards of France sniffing out ‘authentic characteristic wines of marked character’those early days must have been great fun as Hugh and Tony both traversed the globe, often with members in tow, to find new wines. Cruise ships were chartered; sailing trips around the Mediterranean were organised onboard the Star Clipper, a four-masted barquentine and the Marques. Private planes were occasionally hired and a festival in London was launched which still takes place every year in the Spring. Hugh recalls, in one of his many distinguished books, a one day trip to Bergerac where they landed on an airfield which doubled as a football pitch. They even got a mention in Private Eye when the Pseuds Corner column included two of their tasting notes. (Not sure if those were written by Hugh!)
On another occasion three hundred club members gathered at Quaglino’s in Mayfair to celebrate the club’s fifth birthday. Harold was the guest of honour and Hugh recalls in his memoir ‘On Wine’ that his speech was ‘so poignant and so funny that when he left to go back to work at half-past ten, the whole company rose, clapping and cheering, to see him off.’
That night the editor closed down The Times and The Sunday Times for a year.
Tony remembers it as an historic evening. “Harry’s final words were: ‘Thank you and now I must leave you to go back to The Sunday Times … and shut it down.’ The only part of the Sunday Times that carried on working that year was The Club with adverts in The Observer and The Telegraph!”
It was the same year the club tie was launched, with a vintage guide printed on the inside, as Hugh recalls, ‘the only tie to go out of date within a year.’ It was never to be repeated!
Today the club is one of the largest in the world.
“We owe a huge part of our success to Harry,” says Tony speaking from the vineyard at Harrow & Hope in Buckinghamshire. “Bordeaux Direct was a tiny company, a few thousand cases a year. We would still be a little company if it was not for The Sunday Times Wine Club and Harry made it all happen.”
When I became vice-president of The Sunday Times wine club in 2018 keen to learn more about the early years of the club I wrote to Harry in New York. Our initial meeting in London was postponed and we were due to meet this Summer in Manhattan. I had planned to take him to the Knickerbocker Club for lunch to tell him that the club was in rude health and thriving and of course to hear stories of the old days.
I was reminded of something Tony once said to me when I was writing a weekly wine column for The Wall Street Journal. Tony said “that all he really wanted to do was to bring back to Britain a little of the passion for wine he experienced as a young man in the southwest of France.”
Well I think together with Barbara and Hugh he has done that and we’re all very lucky to have enjoyed the foresight of one of Fleet Street’s giants.
It’s been nearly 30 years since our club President, Hugh Johnson ventured over the then collapsed Iron Wall in a bid to rediscover one of Europe’s forgotten wine regions. Hungary’s Tokaj vineyards, which sit around 150 miles north east of Budapest boast a historical legacy few other regions can equal. The sweet, honeyed, tangy wines produced from these vineyards, which are always cloaked in a veil of their signature flickering acidity, were one of the great wines of the Hapsburg Empire. Proclaimed by King Louis XIV of France as the wine of kings – the king of wines, they conquered Europe with a swagger few wines could match. It is not surprising they were one of the first regions to classify their vineyards. As Hugh Johnson observes in ‘From Noah to Now The Story of Wine’ (republished 2020 by Academie du Vin library) they found favour with both Peter the Great of Russia and Frederick 1 of Prussia, while the Tsars of Russia delighted in their amber colour and explosion of sweetness.
“What did not go to Vienna, Moscow, St Petersburg, Warsaw, Berlin or Prague was snapped up by the grandees of Britain, the Netherlands and France,” writes Hugh. “The world had no wine to compare with it for sweetness.”
But history isn’t always an upward trajectory and if the Russian Revolution stripped its winemakers of their most important export market, Communism conspired to flip these ancient fine wine cellars into mass production. These days European royalty are as likely to serve Champagne (or in the case of our Monarch English sparkling wine, perhaps from Windsor) as they are to drink sweet wine. Even in today’s world where we crave sugar just as much as our 18th century cousins, let’s be honest with ourselves, we only really ever pull out a bottle of something sweet a handful of times a year: Christmas, anniversaries, maybe the odd dinner with friends. But never on a consistent basis.
Like many sweet wine producing regions, from the Douro Valley in Portugal to the mist filled vineyards of Bordeaux’s Sauternes, the 21st century has brought change in the form of dry, table wines. I was lucky enough to visit the vineyards of the Royal Tokaji Company in the company of Hugh several years ago, and as much as I was impressed with the range and style of sweet wines we tasted it was the dry wines which also caught my eye. Made from the region’s signature grape variety, Furmint, as I wrote in my September Wine of the Month for the Club these wines have found favour with the wine cognoscenti and are gaining increased recognition. At its best Dry Furmint is a wonderful food friendly, dry wine with high acidity and an attractive savoury character. One could liken it to a Riesling or a Pinot Gris and the range of aromas include fresh green apple, lemon, ginger and sometimes a herbaceous, fennel character. These are wines to chill down and pair with food, grilled fish perhaps, a meaty stir fry with noodles, roast chicken, pork is a natural fit but it has enough weight and texture to stand up to spice.
In January Hugh and I attended a tasting in London of several different vintages of Royal Tokaji. Sweet and dry. The best dry examples had a touch of spice about them with notes of chamomile, and a refreshing, biting acidity. As I walked home along the Thames the thought occurred to me that perhaps the region is due another renaissance, this time for its dry wines. Time will tell.
Last week, Sunday Times Wine Club Vice President Will Lyons, took to our Facebook page in another exciting live Q&A as part of the Wine Live with Will Lyons series. In the live, he answered questions from our viewers. This week, it was all about food and wine matches.
In case you couldn’t join us on the night, here’s what you missed…
You can purchase the wines Will enjoyed during the live to try yourself below:
There were several Brown Derby restaurants in Los Angeles in the 1930s. Perhaps the most famous was the second in the chain, opened on Valentine’s Day in 1929 at 1628 North Vine Street.
Taking its inspiration from Spanish colonial architecture it quickly became a favourite with the Hollywood ‘set.’ Being close to the studios it was soon patronised by a roll call of movie stars and celebrities among them Clarke Gable, Groucho Marx, Lucille Ball, Joan Crawford and Humphrey Bogart. The golden generation of Hollywood. But it wasn’t until 1937 when its place in culinary history was eventually cemented.
There are many stories as to how the Cobb salad was born but my favourite is one recounted in the pages of The Wall Street Journal. The story goes that one night Bob Cobb, one of the owners of the restaurant, was working late, very late. Midnight was approaching and having not eaten he delved into the restaurant fridge and prepared himself a salad comprised of mainly left overs. Cold roast chicken, hard-boiled eggs, avocadoes, a few slices of bacon, tomatoes and of course mixed leaves and lettuce. He saved the strongest flavour until last – crumbling some Roquefort cheese over the top. That night the Brown Derby restaurant found itself a new signature dish – the Cobb salad.
Cobb salads are best made at home. It’s a perfect lunch for those of us who are perhaps spending more time in the house than we would normally. Just grab the leftovers from the fridge and throw them all together. It doesn’t have to be lettuce it could be spinach or watercress. If you really want to go posh you can always add some sort of seafood. Why not lobster? If you’re feeling particularly flush and ‘Hollywood’.
You’ll need a glass of something to go with it. Something with plenty of uplifting acidity, vitality and Spring like fruit would be my choice. I know it’s not original but actually a chilled glass of Sauvignon Blanc would be an ideal foil. The grassy, gooseberry and citrus character, coupled with the lively tension in the wine, works well, particularly if you have dressed the salad with a squeeze of lemon.
I would avoid anything too complex, oaky and creamy. Think in terms of lighter style wines, what the club’s president Hugh Johnson may refer to as ‘fridge door wines.’ I’d be considering anything with zesty acidity. Riesling from Germany, Chablis, Vinho Verde from northern Portugal and the racy Picpoul de Pinet made down in the Languedoc just east of Narbonne. It’s translated as the ‘lip stinger’ and the quality of this wine has never been better.
All of these styles are fairly moderate in alcohol which means you can enjoy a glass and have a productive afternoon, whatever that may entail. In the Golden Age of Hollywood it could involve shooting a few scenes with Clarke Gable, well we can all dream!
Lent is upon us. A time for reflection, abstinence and preparations for the celebration of Easter.
I don’t know about you but I’m not too fond of giving up anything, let alone wine, or beer for that matter. All things in moderation or not so moderate, depending on your mood is my preference.
When I first started writing about wine, I used to give up alcohol in February on the advice of my first boss, “the shortest month,” he would say. “But beware of the leap years!” These days my tasting schedule is such that I simply can’t find the time for a month without wine and besides I enjoy a glass of wine with my evening meal, who doesn’t? But herein lies my point ‘a glass’ or maybe two.
Since January I have been keeping a watchful eye on how much I consume, nothing drastic just a gentle observation on portion sizes and how many glasses of wine I like to enjoy. I bought a little measuring jug and some weighing scales and as if by magic eight weeks in I’m nearly a stone lighter!
Six glasses in one bottle
One of the new habits I have enjoyed is pouring out a 100ml glass of wine to go with my evening meal. I have come to love this measure, it’s enough to give you a proper taste and experience of the wine you are serving, but it’s not enough to distract from your late evening activities whether that is catching up on writing, emailing friends or whatever. Of course, if you want a second glass or a third by all means pour it!
I recently wrote a column for The Sunday Times on half bottles and wrote that you can get 6 ‘generous’ glasses from a full bottle of wine and four ‘decent’ glasses from a half bottle of wine. This provoked a fair bit of feedback with some enthusiastic imbibers vehemently disagreeing.
A few days after the column was published a story appeared in The Times with the revelation that if you want to cut back on alcohol use smaller glasses. According to researchers from the University of Cambridge when restauranteurs placed 370ml glasses on the table, rather than 250ml, wine lovers drank 17% more!
I was asked about it on Matthew Wright’s Talkradio ‘Wine Down Friday’ segment which you can listen to here. Over a glass of the club’s excellent Santo Patrono from Bolivia I explained I’m all in favour of large glasses but small measures.
As an aside, preferably the wine glass should be made from very thin glass which doesn’t interfere with one’s enjoyment of the wine, Zalto and Riedel are my choice at home.
The traditional 125ml is a much-maligned serving of wine and shouldn’t be sniffed at. To prove my point at a recent dinner I asked the Sommelier to pour out 125ml in a large Zalto Bordeaux glass, my guests were quite surprised just how much it was. Like listening to a beautiful piece of music or faced with a wonderful natural landscape great wine can intoxicate both the senses and be an intoxicant. It is savouring the former which we should try and achieve in Lent. Far better than abstinence which makes it a very long time to Easter indeed!
P.S. I would love to hear your thoughts on the matter? Do you agree? What size do you feel is the ideal pour? Post a comment below and I shall reply.
For those fortunate enough to have made the journey from Beirut, crossing Mount Lebanon and the fertile soils of the Beqaa valley, the Temple of Bacchus is one of the most extraordinary and impressive temples of the Ancient world.
It’s the scale that hits you first, more than 100 feet rising above the ruins of Baalbeck. Constructed by the Romans, around the time of Nero, in the 1st century AD, walking underneath its ancient stone columns one cannot fail to be humbled by the sheer scale of this celebrated sanctuary to the God of Wine.
There are many ways in which you can appreciate the complex world of wine: geography, science, viticulture even the intricacies of taste. But history has always been close to my heart and it is through this particular lens that I gain my most enjoyment. And in wine there is a lot of it.
It was the celebrated American wine writer, Matt Kramer, who pointed out earlier this year at the Sauvignon Blanc Symposium in Marlborough, that in the context of ‘vinous history’ New Zealand Sauvignon Blanc is barely a day old. He’s right. Leaving aside the birth of commercial wine production in New Zealand (which stretches back around 40 years) and looking to some of the first plantings in the Victorian era in the early 1800s even this pales when placed aside the vineyards of Burgundy, the Rhône valley and Bordeaux. Regions which can chronicle their history in terms of centuries as opposed to decades.
Wine, history and the Rothschild’s
It is a little of this history that I would like to share with you at Waddesdon Manor. In October the club will be hosting a very special evening in the cellars of Waddesdon, a nineteenth century estate surrounded by history and home to one of the largest collections of Rothschild wines outside of France.
As wine dynasties go Rothschild is almost as impressive as the ancient sand coloured columns of the Temple of Bacchus. Boasting not just one but two Bordeaux First Growths in Châteaux Lafite and Mouton-Rothschild the dynasty also owns properties in Argentina and Chile which we will be tasting alongside their more famous cousins from France.
To explain the wines we’ll be joined by Rothschild wine expert, Peter Tompkins, who will lead us on a tasting of eight different examples before we ascend upstairs for an autumnal three-course dinner with ingredients sourced from the estate.
Of course there will also be time to explore the grounds and gardens; home to two spectacular giant candlesticks made by Joana Vasconceleos with bottles of Château Lafite Rothschild. And there is even an exclusive opportunity to see the first major exhibition of British painter Eliot Hodgkin. Then there are the cellars themselves where there is an eighteenth-century figure of Bacchus himself – the God of Wine. I do hope you can come and join us. It should be a magical evening.
An evening of Rothschild wine on Saturday 12th October
Arrive at Waddesdon Manor from 6pm to enjoy the gardens, the Eliot Hodgkin exhibition and visit the aviary.
At 7pm enjoy a tasting in the Wine Cellars where Peter Tompkins (Rothschild Wine specialist) and Will Lyons will introduce a selection of eight Rothschild wines, followed by a three-course dinner served in the Manor Restaurant which will be inspired by autumn produce from Waddesdon Estate and Eythrope Garden. Rothschild Wines will be specially selected to suit each course during dinner.
It doesn’t matter where you are along the wine route there is always the opportunity to learn more. I’ve been tasting wine for more than 20 years and I’m still learning.
Part of the attraction of wine is that it can be drunk for both pleasure and conviviality, as part of a gathering of friends or family, or it can be gustatory. The focus of an intellectual discussion on its merits or faults. I happen to prefer the former but that’s probably because the day job requires me to don my analytical hat and form an informed opinion on a particular wine or wines. But knowledge is power and the more you taste, the more natural it is to want to learn more.
But where to start? Believe it or not my journey began in my last year at school where (going on 18) we had a particularly enthusiastic Geography master who taught us the early principles of wine tasting. Looking back it was a surprisingly serious course. But you don’t have to begin so early!
The obvious place to begin is with book learning, which will teach you the basics. The World Atlas of Wine now co-written by our President Hugh Johnson with Jancis Robinson will provide a solid foundation and clear grasp of where most of the world’s wines come from. I learned to taste through the lens of the classic wine regions of France and Europe. This gave me a good understanding of the benchmark styles that have now become internationally successful. But I wouldn’t say that was the right or wrong way. If you mastered the regions and styles of Australia that would be a fitting start.
Taste, taste, taste
The key is to develop your palate and taste, taste, taste. By this I mean learn to understand what you like and learn to understand the different taste and flavours of the major wine producing regions and grape varieties. There are shortcuts but it can be a long journey. I like to use the analogy of an old record shop, browsing through the racks of CDs and vinyls. If you haven’t listened to Mozart or Beethoven, the Beatles or The Rolling Stones you have no idea what they sound like, until you buy an album, take it home and play it. It is the same with wine. If you want to understand the difference between Bordeaux and Burgundy or Margaux and Pauillac you’ll need to buy a bottle to taste as well as read the textbooks.
In Britain, we are really spoilt for choice. London is home to the Wine and Spirit Education Trust (WSET) which this year celebrates its 50th anniversary. Their courses offer a very good technical basis. I completed my WSET exams in a cold lecture hall in Edinburgh when I was at University. It’s quite an academic approach, and can lead onto the Master of Wine – a self taught course for the fully committed.
But for me wine is so much more than about the technicalities. It’s always nice to learn about what’s in the bottle, how it is made and what makes a good vintage. But I want to share some of the magic of the wine regions I have been luckily enough to visit. History, food, travel tips and the story behind the bottle always make their way into any of my wine tastings. Before that though I always teach people how to taste and develop their palate. The aim is to give you enough confidence to trust what you like and form your own opinion.
Before long you’ll be challenging my preconceptions and tasting like a professional. But don’t get too confident as, when it comes to wine we’re learning all the time.
Immerse yourself in the world of wine and join Sunday Times Wine Columnist and Vice President of The Sunday Times Wine Club, Will Lyons, as he shares his expert knowledge in his new evening and one-day wine masterclasses: thetimes.co.uk/winemasterclasses