Last week, Sunday Times Wine Club Vice President Will Lyons, took to our Facebook page in another exciting live Q&A as part of the Wine Live with Will Lyons series. In the live, he answered questions from our viewers. This week, it was all about food and wine matches.
In case you couldn’t join us on the night, here’s what you missed…
You can purchase the wines Will enjoyed during the live to try yourself below:
Will Lyons, The Sunday Times Wine Club Vice-President, was joined by Monika Schmid from Weingut Reichsrat von Buhl family winery live on our Facebook page from Germany in the latest episode of Wine Live with Will Lyons.
They caught up on how things have been in the vineyards and winery in recent weeks, life in confinement and also sipped some of the delicious wine produced by Weingut Reichsrat von Buhl. If you couldn’t join Will and Monika on Tuesday, pour yourself a glass of something nice and catch up on the 25-minute live stream below.
Look out on The Sunday Times Wine Club Facebook and Instagram pages for upcoming virtual events, Q&A’s and live interviews with Will Lyons and winemakers across the globe.
This week, Will Lyons was virtually joined by Haut-Brion trained winemaker Jean-Marc Sauboua, live from the vineyards in Bordeaux. Having a chat and general catch up on how things have been going with the growing season so far, plus tasting some delicious wines too.
In case you couldn’t join us on Tuesday night, here’s what they spoke about.
We do hope that you can join us in Wine Live with Will Lyons next Tuesday evening on Facebook.
This week on Wine Live with Will Lyons, he was virtually joined by Jane Hunter, known around the world as the First Lady of New Zealand Wine and her nephew the winemaker James Macdonald from Hunter’s Wines in Marlborough, New Zealand.
Here’s what they spoke about in case you missed it …
There is so much to love about Bordeaux it’s almost impossible to know where to begin. An early evening stroll along the Quai des Chartrons in the City perhaps, before finding an outside table at somewhere like Café Gourmand and watching the world go by. A visit to one of the many wine producing villages along the Médoc, that magical, vine covered peninsula which begins on the outskirts of Bordeaux and finishes where the Gironde estuary tips into the Atlantic ocean. Or a quick stop at Saint Emilion’s cosy L’Envers du Décor wine bar for a midday glass of chilled, tangy, leafy white wine, grown on the gravel soils of the nearby Graves.
The wine route is full of many glorious destinations but my first love has always been Bordeaux. In another world, many of us involved professionally with wine would be there now, scurrying around its cellars tasting barrel samples of the new vintage during the hectic en primeur week. The 2019s can wait. As the world stops for this extremely difficult time, and we look out for friends, family and neighbours, many of whom are now isolated, we can take solace in a few moments of reflection on the beauty of this most glorious stop along the wine route.
The scenic route
The heartland of Bordeaux is the Médoc. The Left Bank of the Gironde were the deepest gravel banks are found and communes such as Margaux, St-Julien, Pauillac and St-Estèphe established themselves some two hundred years ago as some of the greatest places in the world to grow Cabernet Sauvignon, Merlot, Cabernet Franc and Petit Verdot. Blended together these produce age worthy red wines that have been sought after by collectors for many decades.
If you are driving from the City, there are two ways to reach the vineyards of the Médoc. One involves navigating through the rather uninspiring suburbs of Bordeaux before hitting the auto-route and driving at speed up to your first tasting in the cellars of St Julien or wherever it maybe. This is obviously the quickest route and recommended if time is short. But I like to get up an hour early, turn off the sat nav in my hire car and take the ‘scenic’ route along the more sedate D2 road. Rather like driving out of Melbourne, past the MCG cricket ground, down towards the Mornington Peninsula or leaving San Francisco and crossing the Golden Gate Bridge heading to the Silverado trail in Napa, one cannot fail to feel a pang of excitement as to what lays ahead. The pulse is quickened.
The first wine producing village of note is the commune of Margaux, where the road curves and passes straight in front of Château Palmer. Look right and fluttering above its turrets you’ll notice a Union Jack, a nod to its former proprietor – the Englishman – Colonel Charles Palmer. You are now within yards of perhaps the most famous Château in the world, the grand neo-classical Margaux, its columns standing proud at the end of a plane-tree-lined drive, surrounded by its vineyards which sit on a bed of sandy, limestone gravel. Here the wines are marked by their medium bodied texture and seductive aromatics. There is something unmistakable about the perfume of wines from the commune of Margaux, which at their best can take on notes of violets and rose petals.
My favourite way to end the day
Time is running away with us. Soon the road will snake out of Margaux and after a straight drive through some agricultural land Saint Julien will be upon us. This is what the old British wine trade referred to as the ‘thirsty corner’ as the road takes a sharp turn past Château Beychevelle and Château Ducru Beaucaillou. Beyond lays Château Leoville Barton, flanking either side of the road. From here on in the Château come thick and fast – a roll call of some of the most magical and romantic names in wine. In Pauillac you pass Latour and Lafite before finishing high up in Saint Estephe where the vineyards stretch northwards towards the unsettled Bay of Biscay.
After a busy day of tasting, one of my favourite things to do is to continue towards the ocean to the bay of d’Arcachon where on the sea front you’ll find simple cabins serving oysters with nothing more than buttered bread and a slice of lemon. La Cabane De L’Aiguillon is my choice. Half a dozen oysters with a carafe of chilled, tangy white wine. Heavenly.
There were several Brown Derby restaurants in Los Angeles in the 1930s. Perhaps the most famous was the second in the chain, opened on Valentine’s Day in 1929 at 1628 North Vine Street.
Taking its inspiration from Spanish colonial architecture it quickly became a favourite with the Hollywood ‘set.’ Being close to the studios it was soon patronised by a roll call of movie stars and celebrities among them Clarke Gable, Groucho Marx, Lucille Ball, Joan Crawford and Humphrey Bogart. The golden generation of Hollywood. But it wasn’t until 1937 when its place in culinary history was eventually cemented.
There are many stories as to how the Cobb salad was born but my favourite is one recounted in the pages of The Wall Street Journal. The story goes that one night Bob Cobb, one of the owners of the restaurant, was working late, very late. Midnight was approaching and having not eaten he delved into the restaurant fridge and prepared himself a salad comprised of mainly left overs. Cold roast chicken, hard-boiled eggs, avocadoes, a few slices of bacon, tomatoes and of course mixed leaves and lettuce. He saved the strongest flavour until last – crumbling some Roquefort cheese over the top. That night the Brown Derby restaurant found itself a new signature dish – the Cobb salad.
Cobb salads are best made at home. It’s a perfect lunch for those of us who are perhaps spending more time in the house than we would normally. Just grab the leftovers from the fridge and throw them all together. It doesn’t have to be lettuce it could be spinach or watercress. If you really want to go posh you can always add some sort of seafood. Why not lobster? If you’re feeling particularly flush and ‘Hollywood’.
You’ll need a glass of something to go with it. Something with plenty of uplifting acidity, vitality and Spring like fruit would be my choice. I know it’s not original but actually a chilled glass of Sauvignon Blanc would be an ideal foil. The grassy, gooseberry and citrus character, coupled with the lively tension in the wine, works well, particularly if you have dressed the salad with a squeeze of lemon.
I would avoid anything too complex, oaky and creamy. Think in terms of lighter style wines, what the club’s president Hugh Johnson may refer to as ‘fridge door wines.’ I’d be considering anything with zesty acidity. Riesling from Germany, Chablis, Vinho Verde from northern Portugal and the racy Picpoul de Pinet made down in the Languedoc just east of Narbonne. It’s translated as the ‘lip stinger’ and the quality of this wine has never been better.
All of these styles are fairly moderate in alcohol which means you can enjoy a glass and have a productive afternoon, whatever that may entail. In the Golden Age of Hollywood it could involve shooting a few scenes with Clarke Gable, well we can all dream!
Lent is upon us. A time for reflection, abstinence and preparations for the celebration of Easter.
I don’t know about you but I’m not too fond of giving up anything, let alone wine, or beer for that matter. All things in moderation or not so moderate, depending on your mood is my preference.
When I first started writing about wine, I used to give up alcohol in February on the advice of my first boss, “the shortest month,” he would say. “But beware of the leap years!” These days my tasting schedule is such that I simply can’t find the time for a month without wine and besides I enjoy a glass of wine with my evening meal, who doesn’t? But herein lies my point ‘a glass’ or maybe two.
Since January I have been keeping a watchful eye on how much I consume, nothing drastic just a gentle observation on portion sizes and how many glasses of wine I like to enjoy. I bought a little measuring jug and some weighing scales and as if by magic eight weeks in I’m nearly a stone lighter!
Six glasses in one bottle
One of the new habits I have enjoyed is pouring out a 100ml glass of wine to go with my evening meal. I have come to love this measure, it’s enough to give you a proper taste and experience of the wine you are serving, but it’s not enough to distract from your late evening activities whether that is catching up on writing, emailing friends or whatever. Of course, if you want a second glass or a third by all means pour it!
I recently wrote a column for The Sunday Times on half bottles and wrote that you can get 6 ‘generous’ glasses from a full bottle of wine and four ‘decent’ glasses from a half bottle of wine. This provoked a fair bit of feedback with some enthusiastic imbibers vehemently disagreeing.
A few days after the column was published a story appeared in The Times with the revelation that if you want to cut back on alcohol use smaller glasses. According to researchers from the University of Cambridge when restauranteurs placed 370ml glasses on the table, rather than 250ml, wine lovers drank 17% more!
I was asked about it on Matthew Wright’s Talkradio ‘Wine Down Friday’ segment which you can listen to here. Over a glass of the club’s excellent Santo Patrono from Bolivia I explained I’m all in favour of large glasses but small measures.
As an aside, preferably the wine glass should be made from very thin glass which doesn’t interfere with one’s enjoyment of the wine, Zalto and Riedel are my choice at home.
The traditional 125ml is a much-maligned serving of wine and shouldn’t be sniffed at. To prove my point at a recent dinner I asked the Sommelier to pour out 125ml in a large Zalto Bordeaux glass, my guests were quite surprised just how much it was. Like listening to a beautiful piece of music or faced with a wonderful natural landscape great wine can intoxicate both the senses and be an intoxicant. It is savouring the former which we should try and achieve in Lent. Far better than abstinence which makes it a very long time to Easter indeed!
P.S. I would love to hear your thoughts on the matter? Do you agree? What size do you feel is the ideal pour? Post a comment below and I shall reply.
For those fortunate enough to have made the journey from Beirut, crossing Mount Lebanon and the fertile soils of the Beqaa valley, the Temple of Bacchus is one of the most extraordinary and impressive temples of the Ancient world.
It’s the scale that hits you first, more than 100 feet rising above the ruins of Baalbeck. Constructed by the Romans, around the time of Nero, in the 1st century AD, walking underneath its ancient stone columns one cannot fail to be humbled by the sheer scale of this celebrated sanctuary to the God of Wine.
There are many ways in which you can appreciate the complex world of wine: geography, science, viticulture even the intricacies of taste. But history has always been close to my heart and it is through this particular lens that I gain my most enjoyment. And in wine there is a lot of it.
It was the celebrated American wine writer, Matt Kramer, who pointed out earlier this year at the Sauvignon Blanc Symposium in Marlborough, that in the context of ‘vinous history’ New Zealand Sauvignon Blanc is barely a day old. He’s right. Leaving aside the birth of commercial wine production in New Zealand (which stretches back around 40 years) and looking to some of the first plantings in the Victorian era in the early 1800s even this pales when placed aside the vineyards of Burgundy, the Rhône valley and Bordeaux. Regions which can chronicle their history in terms of centuries as opposed to decades.
Wine, history and the Rothschild’s
It is a little of this history that I would like to share with you at Waddesdon Manor. In October the club will be hosting a very special evening in the cellars of Waddesdon, a nineteenth century estate surrounded by history and home to one of the largest collections of Rothschild wines outside of France.
As wine dynasties go Rothschild is almost as impressive as the ancient sand coloured columns of the Temple of Bacchus. Boasting not just one but two Bordeaux First Growths in Châteaux Lafite and Mouton-Rothschild the dynasty also owns properties in Argentina and Chile which we will be tasting alongside their more famous cousins from France.
To explain the wines we’ll be joined by Rothschild wine expert, Peter Tompkins, who will lead us on a tasting of eight different examples before we ascend upstairs for an autumnal three-course dinner with ingredients sourced from the estate.
Of course there will also be time to explore the grounds and gardens; home to two spectacular giant candlesticks made by Joana Vasconceleos with bottles of Château Lafite Rothschild. And there is even an exclusive opportunity to see the first major exhibition of British painter Eliot Hodgkin. Then there are the cellars themselves where there is an eighteenth-century figure of Bacchus himself – the God of Wine. I do hope you can come and join us. It should be a magical evening.
An evening of Rothschild wine on Saturday 12th October
Arrive at Waddesdon Manor from 6pm to enjoy the gardens, the Eliot Hodgkin exhibition and visit the aviary.
At 7pm enjoy a tasting in the Wine Cellars where Peter Tompkins (Rothschild Wine specialist) and Will Lyons will introduce a selection of eight Rothschild wines, followed by a three-course dinner served in the Manor Restaurant which will be inspired by autumn produce from Waddesdon Estate and Eythrope Garden. Rothschild Wines will be specially selected to suit each course during dinner.
It doesn’t matter where you are along the wine route there is always the opportunity to learn more. I’ve been tasting wine for more than 20 years and I’m still learning.
Part of the attraction of wine is that it can be drunk for both pleasure and conviviality, as part of a gathering of friends or family, or it can be gustatory. The focus of an intellectual discussion on its merits or faults. I happen to prefer the former but that’s probably because the day job requires me to don my analytical hat and form an informed opinion on a particular wine or wines. But knowledge is power and the more you taste, the more natural it is to want to learn more.
But where to start? Believe it or not my journey began in my last year at school where (going on 18) we had a particularly enthusiastic Geography master who taught us the early principles of wine tasting. Looking back it was a surprisingly serious course. But you don’t have to begin so early!
The obvious place to begin is with book learning, which will teach you the basics. The World Atlas of Wine now co-written by our President Hugh Johnson with Jancis Robinson will provide a solid foundation and clear grasp of where most of the world’s wines come from. I learned to taste through the lens of the classic wine regions of France and Europe. This gave me a good understanding of the benchmark styles that have now become internationally successful. But I wouldn’t say that was the right or wrong way. If you mastered the regions and styles of Australia that would be a fitting start.
Taste, taste, taste
The key is to develop your palate and taste, taste, taste. By this I mean learn to understand what you like and learn to understand the different taste and flavours of the major wine producing regions and grape varieties. There are shortcuts but it can be a long journey. I like to use the analogy of an old record shop, browsing through the racks of CDs and vinyls. If you haven’t listened to Mozart or Beethoven, the Beatles or The Rolling Stones you have no idea what they sound like, until you buy an album, take it home and play it. It is the same with wine. If you want to understand the difference between Bordeaux and Burgundy or Margaux and Pauillac you’ll need to buy a bottle to taste as well as read the textbooks.
In Britain, we are really spoilt for choice. London is home to the Wine and Spirit Education Trust (WSET) which this year celebrates its 50th anniversary. Their courses offer a very good technical basis. I completed my WSET exams in a cold lecture hall in Edinburgh when I was at University. It’s quite an academic approach, and can lead onto the Master of Wine – a self taught course for the fully committed.
But for me wine is so much more than about the technicalities. It’s always nice to learn about what’s in the bottle, how it is made and what makes a good vintage. But I want to share some of the magic of the wine regions I have been luckily enough to visit. History, food, travel tips and the story behind the bottle always make their way into any of my wine tastings. Before that though I always teach people how to taste and develop their palate. The aim is to give you enough confidence to trust what you like and form your own opinion.
Before long you’ll be challenging my preconceptions and tasting like a professional. But don’t get too confident as, when it comes to wine we’re learning all the time.
Immerse yourself in the world of wine and join Sunday Times Wine Columnist and Vice President of The Sunday Times Wine Club, Will Lyons, as he shares his expert knowledge in his new evening and one-day wine masterclasses: thetimes.co.uk/winemasterclasses
Eyes down. In front of you are six different glasses
of white wine, each poured into an International Standard tasting glass. It’s
your job to identify the country of origin, region, sub region, year the wine
was made and the main grape variety. Do you think you can do it? After the
whites come the reds, same drill. Come on, how hard can it be?
Welcome to the niche and fiercely competitive world of
blind wine tasting. Believe it or not there are wine lovers out there who train
for this sort of day. Who spend hours, weeks and months head down sniffing,
swirling and spitting their way through the world’s myriad wine styles. Honing
their taste buds and olfactory skills so when it comes to the final test they
can correctly identify the wine style, country of origin and year.
If you think the Varsity Boat Race along the Thames is competitive you should try attending the Oxford v Cambridge blind wine tasting competition, held every year since 1953 at the Oxford and Cambridge Club on Pall Mall. Judged by our Club President Hugh Johnson. This year Cambridge took the Cup after a run of four defeats in what was described as a fiercely competitive competition.
Even though I have been tasting wine professionally for more than two decades I still find it the most terrifying and humbling experience
My roots in this amateur pursuit lay north of the
Border. In 1999 I set up the first Edinburgh v St Andrews fixture, which is now
held every year in the New Club on Princes Street. Back in 1999, when I was a
recent past President of the Edinburgh University Wine Society, the fixture
went down to the wire with St Andrews winning by just one point! Since then
Edinburgh has been on a tremendous run, winning a slew of victories and
distinguishing themselves as some of the best blind tasters in the academic world.
Last year not only did Edinburgh University’s Wine Society beat St Andrews, they went on to compete in and win the prestigious Left Bank Bordeaux Cup in France where they beat, among others, Yale Law School, Harvard, Oxford and Hong Kong University of Science and Technology. A significant achievement by any measure. As Alex Wendelken-Dickson, who competed for Edinburgh says: ‘We were the first Scottish team to ever qualify for the final and the first to win the final so it was a huge achievement for us.’
Too right. I judge in the Edinburgh v St Andrews
fixture every year and we taste the wines blind with the teams. Even though I
have been tasting wine professionally for more than two decades I still find it
the most terrifying and humbling experience any wine writer can put themselves
through. Get it right. Well, that’s your job. Get it wrong? Well, it’s obvious
he doesn’t know what he is talking about isn’t it? It’s good practice and over
the years I have had some spectacular failures! But also some surprising
successes. One involving a 19th century Margaux served over lunch in
Champagne and the other a Right Bank Claret put in front of me in the cellars
of a vineyard in Argentina.
This year, in what I thought was a particularly tough
line up of wines including a Grüner Veltliner from Austria, a Pinot Gris from
Alsace and a Barbera from Italy Edinburgh once again emerged victorious. Team
Captain Alex Wendelken-Dickson said they had a little help from The Sunday
Times Wine Club, using more than 65 different Club wines for their blind wine
tasting practice with favourites being Dark Corner Durif Shiraz from Australia, 2010
Château Pericou from Bordeaux and Groote Kapp Cabernet Sauvignon from the
How did I get on? Well I’m glad to say it was a
vintage year in that in terms of country of origin, region and grape variety I
managed to get more than half of the wines. Some great successes but also some
failures. I take it in the spirit of the late Harry Waugh, the charming and
modest wine merchant who set up the first Oxford v Cambridge fixture. When
asked whether he had ever confused a Bordeaux with a Burgundy he replied: ‘not