We’re back! Spring has arrived and as the vines begin their journey towards the new vintage, it’s time for us to pull some corks, twist some screwcaps and start pouring a selection of the club’s most delicious wines for a raft of lively and interesting guests.
Yes, you guessed it – series two of Wine Times is here! Not only that, we have a new venue, new co-host and of course some fascinating new wines to sip and enjoy!
As we say goodbye and a huge thank you to Miquita for expertly guiding us through our wine journey so far, we say a big hello and welcome to the brilliant comedian and broadcaster Suzi Ruffell, who has taken up the mantle of ‘apprentice in wine’ to guide us through our second series.
Joining Suzi and myself in our new home in London Bridge will be a raft of exciting and interesting guests including broadcaster and restaurant critic Grace Dent, celebrity chef and Masterchef judge Marcus Wareing and the king of political commentary Matt Chorley. And that’s not all, we’ll be joined by a raft of others who will be popping in to enjoy some still, sparkling, white and rosé with us.
Oh, and did I mention we are up for an award? Very exciting! Series 1 caught the attention of the judges at the British Media Awards and Wine Times is up for ‘Podcast of the Year,’ we’ll be crossing our fingers that we’re successful when it is announced in May.
So please do join us for some good company, good wines and lively conversation as we go live on April 26th. And remember, you can listen to us through your usual podcast provider.
Vineyard Partner or not, we urge you to ‘tune in’ and hear what four of our Vineyard Partners have been up to. They give us a fascinating, wide-ranging insight into life as a vigneron in today’s climate. Pour yourself a glass, pull up your armchair and listen in to the latest.
Introducing our participants, we have Jean-Marc Sauboua, winemaker for both Bordeaux’s Château La Clarière and Altos de Rioja, Norrel Robertson, our Flying Scotsman and the mastermind behind the fabulous, old-vine Garnacha Sierra de los Sueños from Calatayud, Paolo and Anna Rita Masi from Tuscany’s Il Corto, and Tony, with news from Windsor Great Park Vineyard.
Topics are wide-ranging – conversations you’d never find in ‘books’, virtual or for real. They talk about the pros and cons of the 2021 vintage and the wines you can expect when they’re released. Each explains the tasks currently underway in the vineyard or the cellar, how they are adapting to climate change and the considerable challenges it brings with it.
We hear about new projects, new vineyards, experimentation with clones, grape varieties and methods … these winemakers are really top of their game and always looking to push new boundaries in the name of exceptional quality, authenticity and uniqueness in their wines. You’ll also get a taste of what dishes they might enjoy with each of their wines.
The broadcaster and author Emily Dean has a request. Emily, who has a hugely successful podcast series called ‘Walking the Dog’ where she takes her canine companion Ray out for a walk with a raft of well-known celebrities (and their dogs of course), has refined her tastes in recent years.
Emily’s looking for lighter styles of wine or even wines with no alcohol at all. The latter was a little too challenging and this is a wine podcast after all so I opted for an exploration of lighter styles.
I have some sympathy with Emily’s plight. When I began my wine studies, nearly 25 years ago now, we had a tutor who always used to say wouldn’t it be nice if the alcohol of all wine was around 5-9%? Back then I never understood the appeal but now I see that you don’t always want a huge slug of alcohol in your glass.
Traditionally, the place to look for lighter style wines was of course the steep sided valleys of Germany’s Mosel river where the Riesling grape variety is glorious at 9%. As a rule of thumb I would extend that to cooler climates such as England, parts of Canada, Tasmania and the upper reaches of France.
So our journey began in the Loire Valley with a retro choice – a Muscadet that was gloriously fresh and tangy made by Domaine Gadais.
After a brief discussion on the merits of corks v screwcaps we headed down to Provence for a wine that can’t fail to lift the mood – the PS Pétillant Rosé NV, France – which Emily loved.
Swapping sin for sin we ended with a sweet wine where you replace the alcohol with residual sugar, with Seifried’s heavenly Sweet Agnes Riesling, which Emily said she loved almost as much as Jeremy Paxman’s dog – Derek.
We started where else but in Italy for Giovanna Fletcher.
The actress and author of ‘Walking on Sunshine’ enjoyed childhood summers with red wine always on the table, a legacy from her Italian father.
Our journey began in the north west on the hauntingly beautiful slopes of Piedmont, where, sandwiched between Genova and Milan lies the small city of Alessandria. Just south of here the Cortese grapes produce the crisp white wine, Gavi, which we imagined pairing with a fresh Bruschetta or a table laden with delights from Southern Italy.
As conversation meandered from Strictly Come Dancing (Giovanna’s husband Tom from the band McFly is competing) to tearing up the wine rules and trusting your own judgement, we headed west to Spain to perhaps their most famous region – Rioja. But I couldn’t resist pouring, not the most well-known wine from that region, but a glass of the insider’s choice – white Rioja from Los Hermanos which seduced Giovanna with its oaky, creamy character.
Completing our travels we headed back over the Pyreenes for our final wine, the 2018 Carignan Vieilles Vignes from a region within the northern foothills of the Pyreenes.
Here in the Agly valley to the West of Perpignan the landscape is wild and empty with many vineyards planted at high altitude. It is this combination of poor granite soil, dry heat and altitude which imparts in the wine a pleasing purity of fruit. From the top of Château de Quéribus, which is more than 600 metres above sea level, you get a spectacular view of the region, if of course you are brave enough to drive!
There is a natural synergy between the Summer game of cricket and a glass of wine. A Test Match is played over the course of a day invariably against a background of popping corks and chilled glasses of white as any number of amateur wine lovers seek refreshment. Many cricket playing countries from Australia to South Africa boast some of the most beautiful spots in the world to play the game and also produce wines of outstanding quality. Think of the Adelaide Oval and the Barossa Valley, just an hour’s drive away. Or Newlands in Cape Town and its proximity to the vineyards of the Western Cape. In England, we now have vineyards in the three traditional cricket playing counties of Hampshire, Kent and Sussex whereas India also has a burgeoning wine industry clustered around Mumbai.
To explore this happy marriage this week me and Miquita caught up with the former England cricket player turned commentator Isa Guha. We began, where else? Just 40 miles west of the home of cricket, Lord’s Cricket Ground, with one of the club’s favourites – a glass of sparkling Rosé from Harrow & Hope. Test Match Special may have changed since the days when John Arlott would enjoy an occasional glass of claret on air but Isa did let slip that during commentary at the Oval a generous wine lover passed them a glass of fizz through the window of the commentary box.
From the slopes of England we headed to the Southern hemisphere for a taste of Hunter’s Sauvignon Blanc, whose green pyrazine aromatics of freshly cut grass can evoke in our olfactory bulb long term memories of Spring, which is of course the beginning of the cricket season.
As conversation meandered to the future of the game and the success of Women’s cricket we poured our final wine from just over the Tasman Sea, with a look ahead towards the forthcoming Ashes series. The RedHeads MC1R, is made in the Barossa Valley but tastes almost like a ‘Southern Hemisphere Beaujolais,’ – you could enjoy that at the cricket, might taste even better if England are winning.
Sharing a chilled glass of wonderfully crisp dry Furmint, a rich, almost waxy Chardonnay from New Zealand and a luscious red made deep in the heart of the Mediterranean’s largest island, this week we sat down with award winning actor Nat Parker.
Nat, who is in the middle of a run in the West End in ‘The Mirror and The Light’ at the Gielgud, was terrifically entertaining company.
He admitted to Miquita that after coming off stage, playing Henry VIII, there was nothing he craved more than a small glass of something cool, crisp and refreshing. A Dry Furmint Special Reservefrom Royal Tokaji in Hungary () perhaps? Or maybe something a little more full bodied such as theHunter’s Chardonnayfrom New Zealand. Just to make sure, we tried them both.
I suspected Nat knew a little more about wine then he let on and after a few glasses, and some outlandish name dropping of the cast of his latest Ridley Scott film The Last Duel, he declared his love of all things Italian describing himself as a ‘Puglian Bunny.’ So we took a short ride across the Ionian Sea to Sicily for an old club favourite the Nero d’Avola from Tenuta Fenice which rounded off a thoroughly enjoyable afternoon. Ciao!
The excitement surrounding English sparkling wine is palpable. In the last five years alone more than eight million vines have been planted, an astonishing increase of 70% giving us a total of nearly 4,000 hectares of vineyards. The English wine industry may still be very small, just 7.1 million bottles were sold in 2020, but it is growing – fast. Despite all the challenges and disruption caused by the pandemic, recently published figures from WineGB, the trade organisation that represents British winemakers, show that exports have climbed 51% in the last year with British wine now being shipped to 30 markets across the world. And we’re not just drinking it, we’re visiting the vineyards too. WineGB say that domestic wine tourism was up 57% last year as wine lovers hit the English wine route to explore the numerous cellar doors and tasting rooms we now have on our shores.
It’s all come a long way since the days of the mid-seventies when the likes of Bernard Theobald were producing red wine on the banks of the Thames and comparing the climate of Reading to Bordeaux. These days the British wine industry employs nearly 5,000 people with around 800 vineyards and 178 wineries.
As I said in The Sunday Times recently English wine is now entering its third chapter. The first chapter was loosely speaking post war to the late 1980s when a small group of hobby farmers, joined by a handful of commercial enterprises, began planting vineyards. Often these were with German grape varieties such as Müller Thurgau, Schönburger and Ehrenfelser, inspired by our then thirst for easy drinking white wine like Liebfraumilch and a belief that England enjoyed a similar cool climate to the slopes of Germany.
The second phase began in the mid 1990s with the emergence of high quality, internationally recognised sparkling wine made with the same grape varieties as Champagne: Pinot Noir, Chardonnay and Pinot Meunier and by the same method – with a secondary fermentation in the bottle. The third phase is now – where not only has England established itself as a serious producer of high quality sparkling wine but there is also a growing enthusiasm for still wines as well.
England now has more vineyards than there are grape growers in the Napa valley and here at the Club we certainly haven’t missed the great English wine boom of the 21st century. We have our very own trio of vineyards: Windsor Great Park; the high and stony Wyfold vineyard located down a country lane in Oxfordshire, expertly cultivated by Barbara Laithwaite and on the slopes above the town of Marlow, Henry and Kaye Laithwaite’s Harrow & Hope continues its ascent recently winning a slew of medals at the WineGB awards in London. Henry’s Blanc de Noir is a stunning wine with a vibrant concentration of acidity and crisp, white fruit.
Next month Wyfold’s new 2016 Brut will be released and having tasted it I can confirm it’s a thrilling, complex wine with layers of flavour. Pop the cork and it falls into the glass with a classic golden hue, take a sniff and immediately there is a hint of creamy, toasty notes. But make no mistake this is an English wine to its core and when you sip it, a burst of citrus and summer fruits dance across your tongue before finishing with a burst of thrilling acidity. It’s exciting to witness the genesis of a new wine region, right here in our backyard – and enjoy a few glasses of British bubbly too.
When we say Côtes du Rhône you’re probably already thinking of rich, plummy red wines. And you can certainly be forgiven for making that assumption, (reds make up 89% of the region’s wine production after all). But that doesn’t mean you should be discounting white wine made there.
Despite only accounting for 4% of the wine produced, what Côtes du Rhône whites lack in quantity, they make up for in character, charm and variety.
So, white wine lovers, forget Pinot Grigio, Sauvignon Blanc, even Chardonnay … and embrace the unique delights of the Côtes du Rhône.
So what’s so appealing about the Rhône’s whites?
As is the case with the region’s reds, the whites here offer a delicious and appealing range of styles. No surprise perhaps, when you consider the length of the whole valley (over 200km), the change of topography, soil and also the climate.
From the rounded peachy and apricot fruited, sometimes floral character of southern wines which gain their juicy ripeness from the area’s Mediterranean climate, to the more refined creamy, nutty and honeysuckle-scented wines of the north; the variety of the landscape and climate means there’s plenty to discover.
There is lots of encouragement from the press too: Decanter described white Rhônes as “weighty, food-friendly whites [that] are inexpensive”, while the Guardian’s Fiona Beckett praised them for offering “a broad range of full-bodied, complex whites that won’t burn a hole in your wallet.” Journalist Rose Murray-Brown MW in the Scotsman urges us,“grab what you can before Rhône whites become even more fashionable and prices start to rise.”
How does the region differ?
In Southeastern France, the valley starts between the granite-blessed Massif Central and the Alps in the north. Steep and narrow, as it heads towards Montélimar, Orange and the Mediterranean it gradually opens out to offer hills, then gentle undulations and plains. Soils change as well – from the granite and schist of the north to the clay-lime-marl of the south’s gentle slopes.
On this path south, the climate also changes. You start with typical inland continental – hot summers and cold winters, then gradually move into the appealing, temperate warmth of the Mediterranean – warm summers and moderate winters, accompanied by the strong Mistral wind.
Taking all that into account, it’s no surprise that the grape varieties change through the landscape as well, just like they do for its red wines. Northern vineyards champion floral and exotically flavoured Viognier, often a varietal wine (ie pure Viognier) or a blend of Roussanne and Marsanne, the two found in prized white Hermitage, Saint-Joseph and Château-Grillet.
Due to the labour intensity and expense of working these steep northern vineyards, most of the white wine output is cru or more expensive appellation wines. The most accessible Côtes du Rhône whites largely come from the south. There, winemakers promote white wines made from a delicious array of native varieties – Grenache Blanc, Roussanne, Marsanne, Viognier, Clairette and Bourboulenc, with small quantities of Terret Blanc and Picardin.
And what can you expect from these more southerly whites?
Broadly speaking, Côtes du Rhône Blancs are a gorgeous blend of the white grapes listed above. They have a satisfying weight and aromatic character (particularly if they include generous portions of Viognier or Clairette), with incisive, citrus-fresh minerality. These are perfect food wines, as well as being, for the most part, very appealing on their own. Largely they’ll remain fresh and unoaked, with only lees-ageing (lees are the sediment particles left after fermentation) bringing out the creamy roundness. Some will show a little oak, to lend extra toasty weight and complexity.
Côtes du Rhône whites – explore them now!
Now, more than ever, it’s a great time to discover the white wines of the Rhône – more advanced techniques have helped to produce brighter, more minerally and aromatic whites. Plus, of course, there’s an enthusiastic, new generation of winemakers taking charge, with greater knowledge and experience from all over the world. Armed with this, they bring with them new ideas and an energy to try new things.
So next time you want a wine to go with a chicken dish – chicken pie, spicy marinaded chicken with pecan rice, a creamy noodle dish or seafood, delve into the white wines of the Côtes du Rhône. You’ll find they make a perfect partner and are also appetisingly vibrant and fresh to enjoy all on their own. Cheers!
Sir Harold Evans, the pioneering former editor of The Sunday Times, is remembered as one of the most important figures in post war Fleet Street history. Among his many considerable journalistic achievements on both sides of the Atlantic, there is another legacy that he leaves behind in our world, that is perhaps not as widely known. In the early seventies, with Tony and Barbara Laithwaite, he was instrumental in creating and setting up The Sunday Times Wine Club.
It was the Summer of 1972, Starman by David Bowie was making its way up the charts, England were busy retaining the Ashes and Billy Jean King had just won her fourth Wimbledon title. In the political world Edward Heath was in 10 Downing Street, across the pond Bob Woodward and Carl Bernstein had just published the first revelations of the Watergate scandal for The Washington Post while in Denmark Queen Margaret II succeeded to the throne, the first female Monarch of that country since 1412. The less said about the vintage in Bordeaux, the better.
Newspapers were going through a golden age. Unrivalled in today’s terms, with no social media or the internet, they were at the heart of the national conversation. The Sunday Times world famous Insight team had already published investigations into the Profumo affair and revealed that Kim Philby was the third man in the Cambridge Spy Ring before Harry Evans became editor in 1967. Harry, as he then was, quickly made his mark, leading the newspaper’s investigation into the thalidomide scandal which led to greater compensation for the payouts to victims.
Under Nicholas Tomalin the Insight team had also published a series of articles on malpractice in the wine business. Believe it or not in those days you were allowed to bottle wine in the U.K. directly from the barrel. By all accounts some unscrupulous wine merchants were importing ‘wine’ from north Africa and labelling it whatever they wanted. Pomerol in Bordeaux and Pommard in Burgundy – sometimes from the same tank! Possibly.
The article prompted a letter from another Durham graduate, Tony Laithwaite who started his career washing bottles in Bordeaux. He wrote to his fellow Durham Univeristy alumni at The Sunday Times, Harry Evans, and said that his young company, under the railway arch in Windsor, had no truck with fake wine as he imported wine direct from the growers in France; as he described: from ‘château bottled clarets, from châteaux that do actually exist – no fantasy at all.”
Harry published the letter in full and with a circulation of nearly 4 million, sales from Arch 36 received a welcome fillip. A few reader offers ensued and a year later the club was born with Allan Hall, writer of the ‘Atticus’ column as the resident writer. Hall wasn’t a wine writer but had flair and had recently inspired the Beaujolais Run with his prize of a bottle of Champagne for the first arrival of nouveau to be delivered to his desk at The Sunday Times. It was won by an enterprising wine lover who had procured the use of a private plane.
But they needed a President. Who better than the great wine writer, soon to be the most successful wine writer in the world – Hugh Johnson, (described by Tony as a dapper laddie in a bow-tie!) When I corresponded with Sir Harry Evans from New York in 2018 he said Hugh was ‘key to the whole enterprise.’
“Harry had made me travel editor in 1967,” recalls Hugh over a coffee in Kensington. “Earlier I had been their wine correspondent so when his Insight team had a story about dubious wine being bottled in Suffolk he asked me to look over it. He then thought it was a good idea to get me involved in the Club, I didn’t needmuch persuading and was made President.”
With Tony hunting through the vineyards of France sniffing out ‘authentic characteristic wines of marked character’those early days must have been great fun as Hugh and Tony both traversed the globe, often with members in tow, to find new wines. Cruise ships were chartered; sailing trips around the Mediterranean were organised onboard the Star Clipper, a four-masted barquentine and the Marques. Private planes were occasionally hired and a festival in London was launched which still takes place every year in the Spring. Hugh recalls, in one of his many distinguished books, a one day trip to Bergerac where they landed on an airfield which doubled as a football pitch. They even got a mention in Private Eye when the Pseuds Corner column included two of their tasting notes. (Not sure if those were written by Hugh!)
On another occasion three hundred club members gathered at Quaglino’s in Mayfair to celebrate the club’s fifth birthday. Harold was the guest of honour and Hugh recalls in his memoir ‘On Wine’ that his speech was ‘so poignant and so funny that when he left to go back to work at half-past ten, the whole company rose, clapping and cheering, to see him off.’
That night the editor closed down The Times and The Sunday Times for a year.
Tony remembers it as an historic evening. “Harry’s final words were: ‘Thank you and now I must leave you to go back to The Sunday Times … and shut it down.’ The only part of the Sunday Times that carried on working that year was The Club with adverts in The Observer and The Telegraph!”
It was the same year the club tie was launched, with a vintage guide printed on the inside, as Hugh recalls, ‘the only tie to go out of date within a year.’ It was never to be repeated!
Today the club is one of the largest in the world.
“We owe a huge part of our success to Harry,” says Tony speaking from the vineyard at Harrow & Hope in Buckinghamshire. “Bordeaux Direct was a tiny company, a few thousand cases a year. We would still be a little company if it was not for The Sunday Times Wine Club and Harry made it all happen.”
When I became vice-president of The Sunday Times wine club in 2018 keen to learn more about the early years of the club I wrote to Harry in New York. Our initial meeting in London was postponed and we were due to meet this Summer in Manhattan. I had planned to take him to the Knickerbocker Club for lunch to tell him that the club was in rude health and thriving and of course to hear stories of the old days.
I was reminded of something Tony once said to me when I was writing a weekly wine column for The Wall Street Journal. Tony said “that all he really wanted to do was to bring back to Britain a little of the passion for wine he experienced as a young man in the southwest of France.”
Well I think together with Barbara and Hugh he has done that and we’re all very lucky to have enjoyed the foresight of one of Fleet Street’s giants.
Many of our winemakers across the globe are still experiencing lockdown much like us here in the UK. We’ve been staying in touch with our global winemakers and receiving updates on how they are coping. The winery behind our delicious Brunello di Montalcino from Castelli Martinozzi in Tuscany, have sent us this warming video message from the heart of the vineyard.
Although a cloudy day, we’re happy to hear the good spirits from the winery and just like Federico, we will look forward to enjoying a glass of Castelli Martinozzi Brunello di Montalcino 2020.