‘Wine is analogue, not digital. It’s you putting the record on the record player, dropping the needle, sitting back and slowly enjoying the wine.’
We’re at Universal Music Studios in London and the Grammy award-winning jazz singer Gregory Porter is sharing his love of wine with us on Wine Times.
Out of all the guests we’ve enjoyed sharing a glass with, Gregory Porter has the most thoughtful approach.
Perhaps it’s because in Germany his tour manager was for many years a sommelier, or that the presidents of the record companies he is signed to have shared with him some of the world’s greatest wines, toasting his many successes. Or maybe because as a hugely successful artist he has enjoyed meals and wines across Europe in Spain, Portugal, Italy and France.
‘I always want my family to have the experience as well,’ he says and so when he returns from his travels he buys wine and prepares a meal at home. Quite what he serves depends on where he has been and what he has tasted as ‘wine is about exploration,’ he says ‘because you never know what you are going to get.’
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We started in Champagne with a glass of Bollinger where we discussed the importance of the social aspect of food and wine. I was reminded of the Scottish writer Alexander McCall Smith who writes that ‘wine is something which involves fellowship, shared interest and conviviality.’
From Champagne we dropped down to the Rhône Valley and perhaps to the most famous of all its wines – Châteauneuf-du-Pape, where we discussed its flavour not in terms of fruit but in reference to the savoury notes you can sometimes pick up on in wine such as vegetal, oaky and ‘farmyardy.’ Like smelly cheese, although to some the aroma can seem unattractive, within the right context it is heavenly. What might be the perfect food pairing with Châteauneuf-du-Pape? Andouillette perhaps?
And with that thought we emptied our glass with a brief discussion on whether listening to great music can make the wine taste better. In the case of Gregory Porter – certainly.
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